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Mystery auction: Neumann TLM 170 R

The auction will automatically close when a user's bid reaches the hidden mysterious price.

Mystery auction

The auction will automatically close when a user's bid reaches the hidden mysterious price.

Mysterious price: € ??.??

The mysterious price has not yet been reached

Current price

16,00€ 17,00€

16,29€

The latest bid was placed by hegmanntyler for 16,29€
Latest bids
hegmanntyler
16,29€
Weissvladim
16,28€
Augustthygesen
16,27€
Auction info

Product value

Savings

Bid value

5.108,71€

5.092,42€

4

The latest bid was placed by hegmanntyler for 16,29€

Auction information

  • Current price

    16,29€

  • Product value

    5.108,71€

  • Auction ID

    295243

  • Auction type

    Mystery auction

  • Bid value

    4 Daxdi coins

  • Initial price

    0,00€

Statistics of the last 15 days

  • Average number of participants

    367 users

  • Average amount of bids done by the winners

    56 bids

  • Average published times in a week

    0.07 times

  • Average final price

    3,68€

  • Average savings of the winners

    5.108,64€

  • Average spending by winners

    4,48€

Latest winners

  • Sabri98Yuli

    3.68€

    2024-12-22 21:16:55

There are not more finished auctions of this product on the last 30 days

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Buy product

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Neumann TLM 170 R

Neumann TLM 170 R Switchable Studio Microphone Stereo Set, Nickel The TLM 170 R incorporates five different directional polar patterns for a truly flexible performance.

The polar patterns available are omnidirectional, cardioid, figure-8, hypercardioid and wide-angle cardioid.

Cardioid is excellent for delivering a tight-focused sound, whilst providing excellent off-axis rejection of around -6dB of unwanted noise and ambience.

This is a great polar pattern to rely on when recording live performances, either on-stage, or, in-the-studio.

Hypercardioid and wide-angle cardioid are virtually the same but offer different rejection angles.

Fig.

8 picks up sound from the front and the back of the capsule whilst rejecting all sound coming from the side.

This pattern has been a go-to trick for many producers recording two background vocals.

When paired with another fig.8 microphone and carefully positioned it can also work wonders on capturing vocals and guitar from a single performer simultaneously.

However, beware.

Utilising this positioning enhances close proximity effect which can lead to an unnatural amount of low-end being reproduced by the microphone.

There's good reason why many radio broadcasters opt for this pattern!

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